Liturgy Institute London

For a detailed and peaceful study of Liturgy

AL801: Architecture with Arts for Liturgy

Elective course for IL diploma

28 June – 16 July 2027, weekdays

Image of Daniel McCarthy, OSBTaught byDaniel McCarthy

The arrangement of a church for the celebration of liturgy both expresses outwardly the mystery at work inwardly in and among us and is formative of the sacramental encounter. This course presents the principles of a Ritual Model for arranging churches as a basis for developing a critical assessment of a church and a vision of a church with greater synthesis.

This course is held in three one-week sessions. You may enrol in one, two or all three weeks, but if you enrol in the third week, you are requested to have already completed the second week.

Aims:

At the end of the course each student will be prepared:

  1. To articulate the principles of the Ritual Model for arranging churches
  2. To apply the Ritual Model to an understanding and assessment of any given church
  3. These include:
    • discussions during Vatican II involving the arrangement of churches
    • three pre-eminences and five dimensions from C. Valenziano
    • four interpretative keys
    • Roman, Ambrosian and Anglican traditions.

 

3 hours daily with a break.

The course anticipates the student will spend 60 hours in personal reading and study.

Cost: to be determined

Location: Liturgy Institute London (at Ealing Abbey)
74 Castlebar Road Ealing London, W5 2DD, UK
Telephone: +44 (0)20 8194 2320
For further details or to register contact the Institute:
E-mail Clare Cogswell, the Registrar, at this linked E-mail address.
Location on Google Maps is found here.

Previous knowledge

This is a Master’s level introductory course. It is recommended that participants have a general familiarity with the Bible and the history of western civilization in the Christian period in order to understand the context of the documents examined. A basic ability to compose a written work is necessary before developing the specifics of academic writing. Analysis of liturgical texts assumes a working ability in Latin.

Content

This three week course consists of a combination of:
AL701 Architecture with Arts for Liturgy and
L704 Liturgical Hermeneutics, which is an expansion of the second week of AL701

Week 1 = 28 June – 2 July 2027: Models, pre-eminences, dimensions and reservation leading to the Ritual Model

During this first week We shall consider:
Roman Basilica Surprise
Don’t design a church beginning with three pieces of furniture in a sanctuary
Models from the discussions preparing for, during and following the Second Vatican Council
Presentation of the system developed by Msgr Crispino Valenziano
3 preeminent human experiences, qualities, places, memorials of a church
The 5 dimensions of a church: three axes, time and universality
The place of reservation: Transcending Charles Borromeo
Synthesis of the Ritual Model

Week 2 = 5 – 9 July 2027: Memorial and invocation as Interpretative Keys in ritual, art and architecture

We shall consider the first two of four interpretative keys:
1. Imitation (mimesis) VS memorial (anamnesis), which consists of the ritual programme and narration of the saving works of God
2. Invocation of God for us (epiclesis) paired with the presentation of ourselves in our dignity and in our need
The memorial (anamnesis) establishes the ritual dynamic which supports invocation (epiclesis) that we may be changed in two ways.

Week 3 = 12 – 17 July 2027: The Full-filling and sharing divine life as Interpretative Keys in ritual, art and architecture

We shall consider the second two of four interpretative keys:
3. The Full-filling (eschatology) paired with the process of human maturation
4. Sharing divine life (theosis) by becoming persons free for generative love
The memorial (anamnesis) establishes the ritual dynamic which supports invocation (epiclesis) that we may be changed in two ways, namely our maturation in the moral life (the full-filling, eschatology) and our coming to share in divine life (theosis).
Synthesis of the Ritual Model

The instructor will present the various components of the Ritual Model and illustrate them with images of churches mostly in Rome, the UK and the Kansas City area. Participants will articulate their understanding and assessment of an agreed-upon church according to the principles of the Ritual Model and propose design solutions. Or participants may design their own church and articulate their rationale as well as assessment of its strengths and limitations according to the principles of the Ritual Model.

Course Material

♦ McCarthy, D.P. – J.G. Leachman, Come Into the Light: Church interiors for the celebration of liturgy (Documenta rerum ecclesiasticarum instaurata, Liturgiam artibus provehens architectura : Architecture with arts Promoting Liturgy 1), Canterbury Press – The Tablet, Norwich 2016.

♦ McCarthy, D.P., Verbum ac Spiritus: duplici de munere praesidendi coetui orationemque dirigendi. Word and Spirit: On the double role of presiding in the assembly and directing the prayer, (Documenta rerum ecclesiasticarum instaurata, Liturgiam artibus provehens architectura : Architecture with Arts Promoting Liturgy 2) St. Michael’s Abbey Press, Farnborough (Hampshire) 2017.

♦ McCarthy, D.P., Eucharistic Amazement the Benedictine Way: Tradition, mission, evangelization – St. Benedict parish church – A symphony = Eucharistiae admiratio benedictina in via traditionis ut fiat symphonia Sancti Benedicti pro basilica evangelium ad annuntiandum, (Documenta rerum ecclesiasticarum instaurata, Liturgiam artibus provehens architectura : Architecture with Arts Promoting Liturgy 6) En Route Books and Media, St. Louis (Missouri) forthcoming.

Recommended books (in Italian)

♦ De Blaauw, S., Cultus et decor: Liturgia e architettura nella Roma tardoantica e medievale, 2 vol. (Studi e Testi 355, 356), Biblioteca Apostolica Vaticana, Città del Vaticano 1994.

♦ Valenziano, C., Architetti di chiese, Edizioni Dehoniane, Bologna 2005.

Anything written by these two authors is worthwhile, and many of their writings have been translated into English.

Description of learning activities

♦ Presentation of the principles of the Ritual Model for arranging churches

♦ Apply the Ritual Model when assessing a church

♦ Develop solutions to bring a named church to a greater synthesis.

Evaluation description

You may audit the course without taking the exam or receiving any mark for the course.

You may take the course for credit by registering with the College of the Resurrection, Mirfield, the evaluation comprises the following assessment.

Examination type: written (50%), oral (50%).

When: At the end of the course the student presents to the class an extant or projected church or a proposed church renovation according to the criteria of the Ritual Model, including church arrangements discussed at Vatican II, the three pre-eminences, the five dimensions including three axes and the four interpretative keys. A colloquium follows. Then the student submits a completed paper of not more than 20 pages of text excluding images, front and back pages. 

Explanation: The student and instructor agree on a church for study. Each week the student may prepare a presentation in which they apply the principles learned during that week to the agreed upon church. If there is time, the student presents the material to the 

Students write two brief summaries, one presenting an understanding of the church according to the principles of the ritual Model, the other presenting solutions designed to bring the church to a greater synthesis. Based on oral feedback from the instructor, students revise their written work which they present in a final essay. Discussion questions ask the student to explain the principles integrated into the critical assessment of the church and the rationale for its development. The instructor asks questions that help the student come to a more satisfactory explanation of the prayer.

Criteria for evaluation: The student demonstrates a facility with the methods presented in class 1) to articulate the principles of the Ritual Model and 2) to use the Ritual Model as the basis for a critical appreciation of the church and 3) to develop a vision which brings the church into a greater synthesis. The essay is not intended to be a comprehensive study, but a demonstration of the principles learned in class. The essay is used to support the student in his or her oral presentation and discussion, and then becomes a written record of the student’s work. The discussion questions are both theoretical, concerning the student’s understanding of the principles presented in class, and applied, concerning the student’s ability to apply these methods to the critical assessment and development of a vision for a named church.

Second opportunity to sit the exam: Because this is an intensive summer course, the opportunity for a second exam is by appointment and depends upon the availability of the instructor.

Note: Students must be over 18 years of age.

This course has been designed to be taken alone or in conjunction with AL702 Liturgical Theology and Art. Alternatively either of these two courses may be taken with AL703 Shapping the Assembly a foundational cours of the programme of studies in liturgy.

If students enrol in two concurrent courses, they may wish to prepare for the intensive schedule by reading suggested texts before the course begins.

The instructor will arrange with the students to be available regularly for some time at the Institute and is also available by appointment.

Accommodation:

Non residential day students are welcome.

Limited accommodation is available through Ealing Abbey house for guests or other religious houses or nearby.

• Academic year: Summer 2027
• Language: English
• Difficulty: Master’s level – Introductory
• Duration: 26.0 hours
• Periodicity: Taught biennially in Block I

Page created on 28 August 2027 by DM.